O Observatório da China disponibiliza, a todos os interessados em Arte Chinesa, o primeiro e o segundo volume do livro The transcendence of the arts in China and beyond Historical perspectives, que deverá ser adquirido através dos nossos contatos:
observatoriodachina@gmail.com
geral@observatoriodachina.org
Valor: 20 euros.
Índice
Foreword - Rethinking the history of art in a global perspective, Rui Oliveira Lopes
The formation of artistic identities in the context of intercultural dialogue between China and the world, Rui Oliveira Lopes
Han and Wei Jin tombs with murals: artistic exchange in architecture and iconography, Natasa Vampelj Suhadolnik
From Han to Koguryo: The Spread of Stone Chamber Tombs in Northeast Asia (1st - 7th centuries), Chen Li
Buddha and bodhisattvas in the Koguryo tomb no. 1 in Changchuan, Ji'an, Jilin province, China, Ariane Perrin
exchange across Media in Northern Wei China, Bonnie Cheng
Central Asia: The Eastern Provincial Art of Sassanians, Parisa A. Moghadam
Bodhidharma in China, Korea and Japan: Models for representations and commercialization of the legendary founder of Chan Buddhism in East Asia, Beatrix Mecsi
The Rock Carvings of "Stone Seal Mountain": A Specimen of Water and Land Ritual and the Unification of the Three Teachings in Stone from the Song dynasty (960-1279), Zhou Zhao
From Virtuous Paragons to Efficacious Images: Paintings of Filial Sons in Song Tombs, Fei Deng
Wenji Returns to China: A Jin (1115-1234) Handscroll and Its Relevance to Changing Jurchen Cultural Identities, Hang Lin
The Emperor Rejoiced with Great Joy: How a gift from the Pope in 1342 come to be depicted as a tribute horse in a late-Yuan painting: A case of cultural misunderstanding, Lauren Arnold
Artistic exchange between Korea and China: The craft of lacquer with mother-of-pearl inlay, Patricia frick
Reading between the lines: a potter, a connoisseur and a curator, Yupin Chung
Reprecussions of Chinese textils in Portuguese decorative arts (16th - 17 th centuries), Maria João Ferreira
Chinese fashion crossed the oceans in the wake of the Portuguese trade with China during the late Ming and early Qing dynasties, Rui D'Ávila Lourido
Church, A "Sacred Event" and the Visual Perspective of an "Etic Viewer": an 18th century Western-Style Chines Painting held in the Bibliothèque nationale de france, Lianming Wang
Making sense of diplomatic gift exchange between East and West (1644-1820), Federica A. Broilo
Western impact on the architecture and landscape paintings of the High Qing Court, Shih-hua Chiu
Prints in Sino-European artistic interactions of the Early Modern Period, Cheng-hua Wang
The construction of Chinese style gardens in 18th century Germany by using the garden of Wörlitz (1764 - 1813) and the Chinese garden of Oranienbaum (1793 - 1797) as examples, Sheng-Ching Chang
Urban Imaginaries: The Framing of China Trade Paintings, Yeewan Koon.
Índice
Foreword - Rethinking the history of art in a global perspective, Rui Oliveira Lopes
Squealing bodies, silent minds: Two case-studies: Lam Qua's portraits and Pu Qua's illustrations, Anabela Leandro Santos
Modern Chinese painting in Europe: a failure or a tour-de-force, Michaela Pejcochová
Art in the Marketplace: taste, Sale, and Transformation of Guohua in Republican Shanghai, Pedith Chan
Selling happiness goes global: Shanghai calendar posters and visual culture join the West, Beatriz Hernández
The Moon Night: Visualizing the Musical Experience in 1930s China, Stephanie Su
Estrangement Techniques with Chinese characteristics. The Dialetics of Ver/Ent-Fremdung in the Drama of Gao Xingjian: Brechtian Reminiscences in Existentialist Disguise, Letizia Fusini
Yang Fudong's Modern Piligrims, Petra Polláková
Western art between Buddhism and Nihilism faced with Chinese Comtemporary Art, Shiyan Li
Typography on the other side of the world is calligraphy - bilingualism and counterpoint in today's China and yesterday's Portugal, Jorge dos Reis
Beyond Appearances. The Invisible at Work in Chen Zhen's Installation: Daily Incantations (1996), Anne Vincent-Durand
The work of Alberto Carneiro and the Taoist system of thought, Rogério Taveira
The emergent Chinese contemporary art. The post 1980s artists generations in the Pearl River Delta, Carla de Utra Mendes
City und survival - Reflections on Public Space in Guangzhou, Yanna Tong
Revisiting the first official bi-national panorama exhibitions of contemporary Chinese art in Europe: Living in Time (Berlin 2001) and Alors, la Chine? (paris 2003), Franziska Koch
From Sunflower Seeds to Mountaintops: A Perspective on the Representation of Nature in the Work of Chinses Contemporary Artists Exhibited in Europe between 1999 and 2012, Cristina Vasconcelos de Almeida
Ai Weiwei and Artistic Integrity in the 21st Century, Taliesin Thomas